Heading: concerto for bassoon and orchestra
March 4-5, 2017
Dillon Meacham, bassoon
David Alan Miller, conducting
Troy Savings Bank Music Hall
Troy, New York
Instrumentation: 2.1.2(2=Bass Clarinet).0—188.8.131.52—timp.perc(1):maraca/wblk/tamb/susp.cym/tgl/t.bells/glsp/xyl—harp—strings
Brevity focused me to be concise. Though rhythm and orchestration were always on my mind, it was melodic development that I thought about most—the ways that melodies and themes open up and combine with themselves. West, for the bassoon, reminds me of the western coast of the U.S., especially in Oregon. South, for the oboe, reminds me of feelings I’ve had in the south of France. East, for the clarinet, reminds me of morning with a hopeful, fresh sun rising in the eastern sky. Where is North, some might ask? It is waiting to be commissioned.
I have always loved what woodwind instruments can do, both expressively and technically. I feel somewhat more at home in this medium, having played bassoon growing up, and sitting in the woodwind section of Music for Youth, Milwaukee’s youth orchestra at that time.